Press & Publications

Dissonance #126, September 2014, Louise Sykes: “Composer le geste”
“Le concert (in)provisus de l’Ensemble Matka se distingue par son interprétation de deux créations pour ce festival. Sunbati’s Time d’Adam Maor autour de variations de tempi et Nuance d’Oriol Saladrigues. Par leurs spécificités, ces deux pièces démontrent la nécessité absolue d’un geste musical pour les interpréter.”

Alex Ross, The Rest is Noise Blog, 25.04.2012: “Parisian Footnotes”
“At IRCAM, I caught a concert devoted to nine young composers studying at the institute. (…) Each piece paired a solo instrument (the wind, string, and brass families were all represented) with electronics. (…) Young musicians from the Paris Conservatoire gave committed performances; particularly notable was the virtuosic trombone playing of Marc Abry, in Maor’s BEYRUTH 15072006.”

The New Internationalist, Issue 380, July 2005: “Interview with Israel’s Refuseniks”

Co-author, “The Refuseniks Trials”: Babel Editions, Tel Aviv, 2004.

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